Thursday, November 27, 2008

Getting into the Twilight Zone

Twilight is perhaps the year's most anticipated movie. The reviews from the US say the movie has "no bite" (though the movie raked in $70 plus million on its opening day) and my friend Banana's short review through text straight from Vegas wasn't exactly glorious. A couple of my classmates caught the first screening in SM Manila and if I were to quote Joey, she confirmed more or less what Banana said: the movie was an acquired taste. Well, it's not like it's the end of the world if the movie wasn't good but I thoroughly enjoyed the series and passed them on to a lot of people including my mother, my best friend, my seatmate in Tax class and even my grandfather's 60-something cardiologist.
As much as my friend Kate was building the Twilight movie hype by sending me book quotes almost everyday for the past month, I was excited about something else - the soundtrack. After all when I was reading the books, only two tunes kept on playing in my head - Claire de Lune and a random Linkin Park song. Now with the soundtrack knocking the socks off my player in an almost daily basis, I can immediately come up with more diverse and interesting substitutes for my two overplayed tracks as I replay certain snippets from the book in my head. Now if the movie supposedly lacks the allure of the printed material, the soundtrack, for me, is almost as thoroughly engaging as Edward Cullen's dazzling golden eyes I almost feel like that poor waitress in the restaurant in Port Angeles. Each CD comes with a Twilight character trading card (I got Edward though I wish I got Alice) and the CD jacket folds out into a six-panel poster of Edward and Bella.
The selection opens with Stephenie Meyer's favorite band Muse. Before I read Twilight, I honestly had no idea of a band named Muse in existence. When the song started playing, I realized I actually missed out on so much. The song "Supermassive Black Hole" perfectly sets the mood, I daresay. With its brash guitars and its eerie-mysterious-dangerous sound, it seemed to adequately reflect the book's mood and and Forks' gloomy sky. Listening to the song got me wondering where I could get my hands on more Muse material as I really liked what I was hearing.
Another notable cut would be Iron and Wine's "Flightless Bird, American Mouth" which I just love listening to before I fall asleep almost every night. The melody is a straightforward walz and the lyrics are cryptic, giving the song that romantic feel with a cool metal edge. But my favorite song to replay would be "Leave Out All the Rest" all perhaps because of a bias for Linkin Park, one of my favorite bands. The song lyrics, much like the other songs in the soundtrack, are very much illustrative of Bella and Edward's relationship, such as when Chester Bennington gets all foreboding (and New Moon-y) as he sings "When the time comes, forget the wrong that I've done, let me leave behind some reasons to be missed."
Paramore has two tracks in the album but I like "Decode" better as Haley soars through the song in almost ethereal fashion, as if she were gliding through trees. I also love listening to the hints of vulnerability in Collective Soul's "Tremble for My Beloved."
Robert Pattinson, the actor formerly known as Cedric Diggory, was given the chance to sing for the soundtrack courtesy of the song "Never Think." Overall it was a commendable effort despite the fact that he did run into a few snags with the notes as he tried to do simple runs. Neither did it help that he mumbled about 3/4 of the lyrics so it was really difficult to figure out what he was trying to get across. I could not help but wonder if the song intro of a lone guitar, which shot past a whole minute, was done on purpose as to further fuel the anticipation of how Pattinson would sound as a singer. He was generally just all right with the vocals, sounding almost like a country rock star, but I need to hear more material from him to be thoroughly impressed and swoony.
The soundtrack ends with Bella's lullaby which, despite being a moving and beautiful piece, did not actually sound much like a lullaby. Nevertheless, the book has taught me to stick to the unconventional and that exactly is "Bella's lullaby". I don't think it is a "one size fits all" kind of lullaby. It is not sweet and mellow in a bubblegum, saccharine sort of way. The lullaby is almost reminiscent of that long, quiet walk a person takes as he traverses that road between consciousness and slumber which usually starts off in a rather wayward fashion then shifts into a more comfortable mood before finally swelling into an overwhelming sense of helplessness and ending with sleep executing its final knock out abruptly and without warning.
Now I can't wait for Saturday so I can finally watch the movie and see for myself how it measures up to the soundtrack.
Twilight Original Motion Picture Soundtrack
Atlantic Records
1. Muse - Supermassive Black Hole
2. Paramore - Decode
3. The Black Ghosts - Full Moon
4. Linkin Park - Leave Out All the Rest
5. Mutemath - Spotlight
6. Perry Farrell - Go All the Way
7. Collective Soul - Tremble for My Beloved
8. Paramore - I Caught Myself
9. Blue Foundation - Eyes on Fire
10. Rob Pattinson - Never Think
11. Iron & Wine - Flightless Bird, American Mouth
12. Carter Burwell - Bella's Lullaby

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